The Internet - The first Worldwide Tool of Unification ("The End of History")

" ... Now I give you something that few think about: What do you think the Internet is all about, historically? Citizens of all the countries on Earth can talk to one another without electronic borders. The young people of those nations can all see each other, talk to each other, and express opinions. No matter what the country does to suppress it, they're doing it anyway. They are putting together a network of consciousness, of oneness, a multicultural consciousness. It's here to stay. It's part of the new energy. The young people know it and are leading the way.... "

" ... I gave you a prophecy more than 10 years ago. I told you there would come a day when everyone could talk to everyone and, therefore, there could be no conspiracy. For conspiracy depends on separation and secrecy - something hiding in the dark that only a few know about. Seen the news lately? What is happening? Could it be that there is a new paradigm happening that seems to go against history?... " Read More …. "The End of History"- Nov 20, 2010 (Kryon channelled by Lee Carroll)

"Recalibration of Free Choice"– Mar 3, 2012 (Kryon Channelling by Lee Carroll) - (Subjects: (Old) Souls, Midpoint on 21-12-2012, Shift of Human Consciousness, Black & White vs. Color, 1 - Spirituality (Religions) shifting, Loose a Pope “soon”, 2 - Humans will change react to drama, 3 - Civilizations/Population on Earth, 4 - Alternate energy sources (Geothermal, Tidal (Paddle wheels), Wind), 5 – Financials Institutes/concepts will change (Integrity – Ethical) , 6 - News/Media/TV to change, 7 – Big Pharmaceutical company will collapse “soon”, (Keep people sick), (Integrity – Ethical) 8 – Wars will be over on Earth, Global Unity, … etc.) - (Text version)

“…5 - Integrity That May Surprise…

Have you seen innovation and invention in the past decade that required thinking out of the box of an old reality? Indeed, you have. I can't tell you what's coming, because you haven't thought of it yet! But the potentials of it are looming large. Let me give you an example, Let us say that 20 years ago, you predicted that there would be something called the Internet on a device you don't really have yet using technology that you can't imagine. You will have full libraries, buildings filled with books, in your hand - a worldwide encyclopedia of everything knowable, with the ability to look it up instantly! Not only that, but that look-up service isn't going to cost a penny! You can call friends and see them on a video screen, and it won't cost a penny! No matter how long you use this service and to what depth you use it, the service itself will be free.

Now, anyone listening to you back then would perhaps have said, "Even if we can believe the technological part, which we think is impossible, everything costs something. There has to be a charge for it! Otherwise, how would they stay in business?" The answer is this: With new invention comes new paradigms of business. You don't know what you don't know, so don't decide in advance what you think is coming based on an old energy world. ..."
(Subjects: Who/What is Kryon ?, Egypt Uprising, Iran/Persia Uprising, Peace in Middle East without Israel actively involved, Muhammad, "Conceptual" Youth Revolution, "Conceptual" Managed Business, Internet, Social Media, News Media, Google, Bankers, Global Unity,..... etc.)


German anti-hate speech group counters Facebook trolls

German anti-hate speech group counters Facebook trolls
Logo No Hate Speech Movement

Bundestag passes law to fine social media companies for not deleting hate speech

Honouring computing’s 1843 visionary, Lady Ada Lovelace. (Design of doodle by Kevin Laughlin)
Showing posts with label Netflix. Show all posts
Showing posts with label Netflix. Show all posts

Saturday, August 31, 2019

Dutch media groups join forces to battle Netflix and YouTube

DutchNews, August 30, 2019

Photo: Depositphotos.com

The biggest media groups in the Netherlands, including public broadcasting system NPO, commercial broadcasters RTL and Talpa and the Persgroep newspaper group, are joining forces to set up their own audio and viewing platform, the AD said on Friday. 

The aim, sources told the paper, is to take on the might of Netflix and YouTube, which are eating into the Dutch companies’ traditional audiences. The talks have been ongoing in secrecy for a year and the groups expect to brief media minister Arie Slob next week. 

Dutch media companies have been grappling with declining circulation, audiences and advertising revenue and Slob had earlier suggested they form some sort of alliance. 

The details of the scheme still have to be worked out and as yet it is unclear if the platform will be free and advertising funded, or if viewers will be asked to take out a subscription, the AD said.


Netflix CEO Reed Hastings gives a keynote address, January 6, 2016 at the
Consumer Electronics Show in Las Vegas, Nevada (AFP Photo/Robyn Beck)

Related Articles:


"Wild Cards" (3) - Nov 19 - 20, 2016 (Kryon Channelling by Lee Carroll) - (Text version)

"... Then there was Steve Jobs. He was a wild card. What he did had little to do with technology, for that would have happened anyway soon enough. Instead, it had to do with the paradigm of the business of music on Earth. He freed it, and the paradigm of how music is obtained and heard will never be the same. However, Steve Jobs did basically one thing for all of you, and then he died. Do you see any kind of connecting of the dots to some of the inventors who come and give you the one thing, then leave? If he had lived, would there be more? Yes, but you’re not ready for it. Consciousness has to support what happens. ..."

Wednesday, August 21, 2019

Apple debuts credit card as it readies TV+ launch

Yahoo – AFP, Glenn CHAPMAN, 20 August 2019

Apple is placing greater emphasis on offering digital content and services as the
once-sizzling smartphone market cools

Apple on Tuesday launched a smartphone-generation credit card in the US and moved closer to hitting the hot streaming television market with a new subscription service.

The moves come as Apple shifts to emphasize digital content and other services to offset a pullback in the once-sizzling smartphone market.

Arrival of an Apple Card tailored particularly for iPhone fans came with reports that the technology titan is keen to launch its TV+ streaming service before Disney goes live with a rival in November.

Apple TV+ will debut with a small selection of original content and a possible subscription price of $9.99, Bloomberg reported, citing people familiar with the matter.

The price would be more than that charged by powerhouse players Netflix and Amazon Prime as well as the announced subscription cost of a Disney+ service to launch on November 12.

California-based Apple did not immediately respond to a request for comment about TV+.

Spending on shows

Apple has reportedly allocated more than $6 billion for TV+ original shows, a small number of which would be available when the service goes live.

Ads for "The Morning Show" starring Jennifer Aniston, Reese Witherspoon and Steve Carrell began appearing on Twitter.

The show was described as "a high-stakes drama that pulls back the curtain on the morning news" coming this fall to those with Apple TV+ subscriptions.

With Hollywood stars galore, Apple in March unveiled streaming video plans along with news and game subscription offerings as part of an effort to shift its focus to digital content and services to break free of its reliance on iPhone sales.

The Apple TV+ service, an on-demand, ad-free subscription service, will launch this year in 100 countries, the company said at the event.

"We feel we can contribute something important to our culture and to our society through great storytelling," Apple chief executive Tim Cook said when the service was announced.

Apple revealed only a few of the programs in the works but announced collaborations with celebrities on both sides of the camera including Octavia Spencer, J.J. Abrams, Jason Momoa and M. Night Shyamalan.

The new content will be available on an upgraded Apple TV app, which will be on smart television sets and third-party platforms including Roku and Amazon's Fire TV.

Apple will also allow consumers to subscribe to third-party services like HBO and Starz from the same application.

Creative Strategies analyst Carolina Milanesi expected Apple TV+ to be more of a channel at its streaming video service, similar to an HBO, than to be a "one-stop-shop" that would stand alone.

Games and Cards

Apple is aiming to leverage its position with some 900 million people worldwide who use at least one of its devices.

The company has announced plans to launch a new game subscription service called Apple Arcade internationally later this year.

"Apple Arcade will introduce an innovative way to access a collection of brand new games that will not be available on any other mobile platform or in any other subscription service," Apple said in a statement.

The Apple credit card that became available on Tuesday in a partnership with Goldman Sachs was integrated with Apple Pay.

Those signing up will get a physical card and one for a digital wallet, with the two companies pledging to refrain from sharing or selling data to third parties for marketing and advertising.

Apple Card features that could shake up the credit card industry include not charging fees, giving users cash back on purchases, and providing tools for people to better manage their debt.

"Apple Card delivers new experiences only possible with the power of iPhone," the company said in an online post.

The card uses machine learning and mapping capabilities to let users keep track of spending, and provides payment options showing interest costs of various options.

Wednesday, March 20, 2019

Google moves to disrupt video games with streaming, studio

Yahoo – AFP, Glenn CHAPMAN, March 19, 2019

Google CEO Sundar Pichai said the online giant's Stadia technology aimed
"to build a game platform for everyone" (AFP Photo/Josh Edelson)

San Francisco (AFP) - Google set out to disrupt the video game world on Tuesday with a Stadia platform that will let players stream blockbuster titles to any device they wish, as the online giant also unveiled a new controller and its very own studio.

The California-based technology giant said its Stadia platform will open to gamers later this year in the United States, Canada, Britain and other parts of Europe.

For now, Google is focused on working with game makers to tailor titles for play on Stadia, saying it has already provided the technology to more than 100 game developers.

"We are on the brink of a huge revolution in gaming," said Jade Raymond, the former Ubisoft and Electronic Arts executive tapped to head Google's new studio, Stadia Games and Entertainment.

"We are committed to going down a bold path," she told a presentation at the Game Developers Conference in San Francisco.

The Stadia tech platform aims to connect people for interactive play on PCs, tablets, smartphones and other devices.

Google also unveiled a new controller that can be used to play cloud-based individual or multiplayer games.

Stadia controllers mirrored those designed for Xbox or PlayStation consoles, with the addition of dedicated buttons for streaming live play via YouTube or asking Google Assistant virtual aide for help beating a daunting puzzle or challenge.

Chief executive Sundar Pichai said the initiative is "to build a game platform for everyone."

"I think we can change the game by bringing together the entirety of the ecosystem," Pichai told a keynote audience.

Jade Raymond, head of Google's Stadia, speaks during the GDC Game 
Developers Conference (AFP Photo/JUSTIN SULLIVAN)

'Netflix of gaming'

Google's hope is that Stadia could become for games what Netflix or Spotify are to television or music, by making console-quality play widely available.

Yet it remains unclear how much Google can grab of the nascent, but potentially massive industry.

As it produces its own games, Google will also be courting other studios to move to its cloud-based model.

Google collaborated with French video game titan Ubisoft last year in a limited public test of the technology powering Stadia, and its chief executive was in the front row at the platform's unveiling.

A coming new version of blockbuster action game "Doom" tailored to play on Stadia was teased at the event by iD studio executive producer Marty Stratton.

"If you are going to prove to the world you can stream games from the cloud, what better game than 'Doom'," Stratton said.

Streaming games from the cloud brings the potential to tap into massive amounts of computing power in data centers.

For gamers, that could translate into richer game environments, more creative play options or battle royale matches involving thousands of players.

At the developers conference, Google demonstrated fast, cloud-based play on a variety of devices. But it offered no specific details on how it would monetize the new service or compensate developers.

Money-making options could include selling game subscriptions the way Netflix charges for access to streaming television.

"I think it's a huge potential transition in the video game industry, not only for the instant access to games but for exploring different business models to games," Jon Peddie Research analyst Ted Pollak said of Stadia.

"They say it's the Netflix of gaming; that is actually pretty accurate."

Audience members react during a keynote session at the annual Game Developers 
Conference at Moscone Center in San Francisco, California on March 19, 2019
(AFP Photo/Josh Edelson)

Ubisoft on board

Ubisoft, known for "Assassin's Creed" and other titles, said it would be working with Google.

Its co-founder and chief Yves Guillemot predicted streaming would "give billions unprecedented opportunities to play video games in the future."

An "Assassin's Creed" title franchise was used to test Google's "Project Stream" technology for hosting the kind of quick, seamless play powered by in-home consoles as an online service.

The reliability and speed of internet connections is seen as a challenge to cloud gaming, with action play potentially marred by streaming lags or disruptions.

Google said its investments in networks and data centers should help prevent latency in data transmissions.

In places with fast and reliable wireless, internet players will likely access games on the wide variety of devices envisioned by Google, while hard-core players in places where wireless connections aren't up to the task could opt for consoles, according to Pollak.

"I think it is good news for everyone," Pollak said when asked what Stadia meant to major console makers Microsoft, Sony and Nintendo.

The US video game industry generated a record $43.4 billion in revenue in 2018, up 18 percent from the prior year, according to data released by the Entertainment Software Association and The NPD Group.

Monday, March 18, 2019

Streaming wars heat up as rivals queue up to challenge Netflix

Yahoo – AFP, Rob Lever, March 17, 2019

Netflix has taken the lead in streaming to expand into 190 markets but is now facing
some deep-pocketed rivals including Apple and Disney (AFP Photo/ROBYN BECK)

Washington (AFP) - Some of the biggest names in media and tech are gearing up to move into streaming, in what could be a major challenge to market leader Netflix.

Apple is expected to make its move with an announcement March 25 on its media plans, with a war chest estimated at some $1 billion and partners including stars like Jennifer Aniston and director J.J. Abrams involved in content.

Walt Disney Co. has announced its new streaming service Disney+ will launch this year, as will another from WarnerMedia, the newly acquired media-entertainment division of AT&T.

The new entrants, with more expected, could launch a formidable challenge to Netflix, which has some 140 million paid subscribers in 190 markets, and to other services such as Amazon and Hulu.

"It's really going to change the industry," said Alan Wolk, co-founder of the consulting firm TVREV who follows the sector.

Wolk said he sees seven or eight powerful players in streaming which will lead to "huge competition for new shows and hit shows."

These rivals are coming into the segment which has been transformed by the spectacular growth of Netflix and a growing movement by consumers to on-demand television delivered over internet platforms.

In the US alone, an estimated six million consumers have dropped pay TV bundles since 2012, while on-demand services such as Netflix, Hulu and Amazon have been surging, according to Leichtman Research.

But just as Netflix has disrupted traditional "linear" television, rivals are now moving to disrupt Netflix.

Strong name recognition and sought-after content is liekly to make Disney a
formidable competitor in streaming television (AFP Photo/Alberto E. Rodriguez)ls)."

Feeling pain

Netflix is likely to feel pain, not only from the new rivals, but also from the loss of content from the big libraries of Disney and Time Warner.

These Hollywood firms "have big libraries, so the cost of their content is much lower than it will be for Netflix, which has to pay for all its content," said Laura Martin, analyst with the research firm Needham & Co.

"Netflix will lose subscribers to these new entrants," Martin said.

AT&T's WarnerMedia will launch its service later this year that combines the content from its premium HBO channel (known for "Game of Thrones") and the vast Time Warner library or films and shows.

Disney's service will have its films and TV shows, along with the library it is acquiring from Rupert Murdoch's 21st Century Fox, a deal closing in the coming days. That includes the "Star Wars" and Marvel superhero franchises and ABC television content.

JP Morgan analyst Alexia Quadrani predicts Disney will eventually scale up to become as big as Netflix, or even bigger by signing up 45 million US subscribers and 115 million internationally.

Quadrani cited Disney's "unmatched brand recognition, extensive premium content, and unparalleled ecosystem to market the service."

The analyst said Disney benefits from its global ecosystem that develops good customer relationships from its theme parks, hotels, cruises, and consumer products.

Wolk agreed that Disney "is in a good spot" because of its strong brand and content but predicted that consumers may be overwhelmed by the growing options.

"I think there will be a lot of churn," Wolk said. "People will subscribe to one service to watch one show, and then it becomes easy to cancel and take another."

Jennifer Aniston is one of the Hollywood stars Apple is counting on as it prepares
to launch its streaming video service (AFP Photo/Alberto E. Rodriguez)

No panic, yet

Some analysts say Netflix has no reason to panic -- yet.

"Netflix has figured this business out, they know what consumers want," said Dan Rayburn, a streaming media analyst with Frost & Sullivan.

But Rayburn said that over time, rivals may be able to leverage their user base and infrastructure to eat away at Netflix's advantage.

"What does Netflix own? Nothing," Rayburn said.

"If you're Amazon or AT&T you can give this stuff away and be a loss leader, that's the big value."

Still, he said any company that wants to challenge Netflix needs to be "quick and nimble" and that it remains to be seen if the legacy players can do that.

Richard Greenfield of BTIG Research also questioned the capability of the legacy entertainment firms to compete in the world of new media.

"We believe legacy media has missed their window to compete with Netflix (and other tech platforms) unless they are willing to truly go all-in," Greenfield said in a recent research note.

The streaming service from AT&T's Warner Media will include 
programs from HBO such as "Game Of Thrones," whose star 
Emilia Clarke is seen here (AFP Photo/Alberto E. Rodriguez)

'Innovator's dilemma'

Greenfield said that means moving the focus away from the box office and getting better control of content.

"Disney is battling a classic innovator's dilemma that makes it hard for them to truly pivot to direct-to-consumer, not to mention, they and the rest of legacy media do not really appreciate how important technology is to success in direct-to-consumer streaming," Greenfield wrote.

Daniel Ives of Wedbush Securities said Apple could be the wild card, but that the iPhone maker might need to acquire a content provider like CBS or Sony Pictures to be a major player.

Apple "is definitely playing from behind the eight ball in this content arms race with Netflix, Amazon, Disney, Hulu, and AT&T/Time Warner all going after this next consumer frontier," Ives said in a note to clients.

"While acquisitions have not been in Apple's core DNA, the clock has struck midnight for Cupertino in our opinion and building content organically is a slow and arduous path, which highlights the clear need for Apple to do larger, strategic (deals}."


Netflix CEO Reed Hastings gives a keynote address, January 6, 2016 at the
Consumer Electronics Show in Las Vegas, Nevada (AFP Photo/Robyn Beck)

Related Articles:


Netflix becomes 'global TV network' in 190 countries


"Wild Cards" (3) - Nov 19 - 20, 2016 (Kryon Channelling by Lee Carroll) - (Text version)

"... Then there was Steve Jobs. He was a wild card. What he did had little to do with technology, for that would have happened anyway soon enough. Instead, it had to do with the paradigm of the business of music on Earth. He freed it, and the paradigm of how music is obtained and heard will never be the same. However, Steve Jobs did basically one thing for all of you, and then he died. Do you see any kind of connecting of the dots to some of the inventors who come and give you the one thing, then leave? If he had lived, would there be more? Yes, but you’re not ready for it. Consciousness has to support what happens. ..."

Thursday, January 7, 2016

Netflix becomes 'global TV network' in 190 countries

Yahoo – AFP, Glenn Chapman, January 6, 2016

Netflix CEO Reed Hastings gives a keynote address, January 6, 2016 at the
Consumer Electronics Show in Las Vegas, Nevada (AFP Photo/Robyn Beck)

Las Vegas (AFP) - Streaming pioneer Netflix said Wednesday it had significantly expanded its global footprint to 190 countries, making its Internet TV service available in 130 new markets including India -- but not China.

Netflix, which began as a mail-order DVD service but is now producing award-winning original content alongside its offering of older shows and movies, launched in 2007. Now, 70 million subscribers pay a monthly fee for unlimited service.

"Today you are witnessing the birth of a new global Internet TV network," co-founder and chief executive Reed Hastings said at the Consumer Electronics Show in Las Vegas.

"With this launch, consumers around the world -- from Singapore to St. Petersburg, from San Francisco to Sao Paulo -- will be able to enjoy TV shows and movies simultaneously -- no more waiting."

"While you have been listening to me talk, the Netflix service has gone live in nearly every country in the world except China, where we hope to be in the future."

Netflix noted in a statement that it "continues to explore options for providing the service" in China, the world's most populous country, where the government censors online content it deems to be politically sensitive.

Other countries or markets without the service are Crimea, North Korea and Syria due to US government restrictions on American companies, Netflix said.

While English is the main language for most of the new markets, Netflix said it has added support for Arabic and Korean, along with simplified and traditional Chinese to the 17 languages it now uses.

"From today onwards, we will listen and we will learn, gradually adding more languages, more content and more ways for people to engage with Netflix," said Hastings.

"We're looking forward to bringing great stories from all over the world to people all over the world."

Following its launch, Netflix first expanded to Canada, and then to Latin America, Europe, Australia, New Zealand and Japan. Until Wednesday, it was available in 60 countries.

The company has been shifting from recycling old shows and movies to producing more original content, with its shows such as "House of Cards" and "Orange Is The New Black."

In 2016, the company plans to release 31 new and returning original series, two dozen original feature films and documentaries, as well as its own stand-up comedy specials and 30 original children's programs.

Netflix is ahead of key rivals in streaming such as Amazon and Hulu, which have also begun to produce original content.

The rapid expansion is likely to impact the bottom line at Netflix. In its most recent quarterly update, the company said that it expects "to run around break-even through 2016 and to deliver material profits thereafter."

For the third quarter, Netflix posted a net profit of $29.4 million on revenues of $1.7 billion. While revenues grew 23 percent from a year ago, profits were halved.

Netflix raised prices in the US and several other countries in the past year, saying it was needed "to improve our ability to acquire and offer high quality content."

Saturday, March 7, 2015

Dutch Offer Preview of Net Neutrality

The New York Times, Mark Scott, Feb 26, 2015

Outside an Apple store in the Netherlands. Two years ago the country mandated
 that Internet providers treat all traffic equally. Credit Jasper Juinen/Bloomberg
News, via Getty Images

THE HAGUE — When Bruno Leenders takes the 50-minute train ride to Amsterdam, he likes to stream blues and funk music through his smartphone. At home, Mr. Leenders, a Dutch technology consultant, watches Steven Seagal action movies on Netflix. Between meetings, he dashes off a few emails.

Mr. Leenders’s digital life has not changed all that much in the two years since the Netherlands started demanding that Internet providers treat all traffic equally, the same sort of rules that the United States adopted on Thursday.

His bill has gone up just marginally. He surfs, streams and downloads at the same speed — if not a little faster given the upgrades to Netherlands’ network, already one of the world’s best.

In short, the new law was not the Internet Armageddon that many Dutch telecommunications companies, industry lobbyists and some lawmakers had predicted.

“I can still watch what I want, when I want,” Mr. Leenders said on a half-empty commuter train recently, as he checked his emails and the latest news on his smartphone. “It is not up to any company to tell what I can do online.”

Students use tablets in a school in Sneek, the Netherlands. The country’s
telecommunications infrastructure has seen continuing investment.
Credit Michael Kooren/Reuters

As the United States moves to regulate broadband Internet service as a public utility, the Netherlands offers a rare case study of what could await American consumers and companies. The Netherlands was the second country in the world to adopt so-called open Internet rules, after Chile.

It is not a perfect comparison.

The Netherlands, with a population of about 17 million, is geographically about the size of Maryland. That makes it far easier and cheaper for operators to provide high-speed Internet access compared with carriers trying to serve all of the 50 states.

The Dutch rules also allow for some premium deals between operators and services like Netflix, the online video-streaming company. Such agreements are supposed to be tightly restricted under the new regulations by the Federal Communications Commission.

Still, the Dutch experience — at least in the short term — could be instructive.

As with the American plan, Dutch carriers cannot discriminate among types of content, say by putting the brakes on data-hungry services like movie streaming. Nor can they charge extra for faster speeds and more reliable connections to the Internet’s pipelines, which could give deep-pocketed technology companies an advantage over fledgling start-ups.

And net neutrality opponents made all the same arguments in the Netherlands as they have been in the United States.

Local telecommunications providers, including the country’s former monopoly KPN, had wanted to charge Internet and media companies like Google and WhatsApp, the messaging service, for premium access to their networks. Companies warned that the price of consumers’ monthly contracts would rise if they could not levy additional fees. Otherwise, telecommunications companies said they would not be able to invest in technology and infrastructure — and the networks could grind to a standstill.

“If you overregulate through net neutrality, there’s a risk you reduce the levels of investment because the rules become too onerous,” said Michel Combes, chief executive of Alcatel-Lucent, the French-American telecommunications manufacturer.

Proponents, though, countered that such deals would potentially limit what content could be used online, giving carriers and broadband companies too much control over how people surfed the web. As more people worldwide rely on high-speed Internet access, the net neutrality debate has become a rallying call for advocates who consider unobstructed online access akin to a human right

“There was a lot of pressure to pass these rules,” said Nico van Eijk, a professor at the University of Amsterdam, who specializes in telecommunications and media law. “People didn’t want to be told which online services they could and couldn’t use.”

But two years later, the Internet business in the Netherlands is still humming along.

Consumers have not cried foul en masse over the costs. Dutch consumer groups say cellphone and cable packages in the last two years have remained relatively stable, with contracts priced at as little as $25 a month for the ability to stream online content. The average cellphone contract in the Netherlands is about one-third the price of an equivalent plan in the United States.

Sophie van Haasen, 31, a social worker, uses her mobile data package to stream music online through her Spotify account, and she said she was thinking about signing up for Netflix, mostly to watch the series “House of Cards.” She pays about $35 a month for her cellphone, and $40 for home broadband.

“I can’t say my payments have gone up, maybe a little as I’m using my phone more to get on the Internet,” she said, sitting at a cafe in Amsterdam in the late afternoon on her day off. “But that’s O.K. I’m getting what I paid for.”

Telecommunications companies in the Netherlands have also continued to invest in their infrastructure, bolstering network speeds around the country, which were already pretty fast before the rules went into effect. The average broadband speed is around 14 megabits a second, up about 10 percent since late 2013, according to Akamai Technologies. That compares to 11.5 megabits a second in the United States

“Prices didn’t go up,” said Martijn van Dam, 37, the deputy leader in Parliament of the Dutch Labor Party, who helped draft the Internet rules. “Our experience in the Netherlands shows that it’s nonsense to say that companies won’t invest.”

In part, that comes down to competition.

While rivalry among broadband providers remains relatively limited in much of the United States, there is fierce competition in the Netherlands between wireless and broadband providers to attract customers. To give consumers greater choice, regulators have limited efforts to consolidate the number of cellphone carriers, while KPN and Ziggo, a cable provider, fight doggedly to sign up customers for superfast home broadband.

Analysts say this competition, more than net neutrality, has forced companies to compete solely on price and speed — and not on which services come bundled with monthly cellphone or broadband packages.

Continue reading the main storyContinue reading the main storyContinue reading the main story
“You don’t need net neutrality if you have healthy competition,” said Ot van Daalen, a privacy lawyer who helped push through the Dutch net neutrality rules. “But the U.S. has less competition than in Europe. The U.S. needs net neutrality a lot more than the Dutch do.”

But the Dutch rules do color the landscape.

The Netherlands does not police so-called interconnection arrangements, in which content companies pay a fee to guarantee fast and reliable access to a network. Those deals proved controversial in the United States after Netflix struck such agreements with Comcast and other providers. Under the new rules, the F.C.C. will tightly regulate those relationships.

In contrast, the Dutch authorities have taken a harsher line on so-called zero-rating deals. Those deals allow operators to offer free access to certain online services like music streaming as part of monthly cellphone or broadband contracts.

Under the Dutch rules, such agreements are outlawed because they prioritize some Internet traffic over others. But experts predict that the F.C.C. will offer more leeway in this area, provided it does not harm the overall market.

And there are signs that Dutch regulators are taking an increasingly tough line with operators that try to skirt the rules. Vodafone was fined $225,000 last month after bundling HBO’s smartphone app into its monthly package, which was deemed a violation of the zero-rating prohibition. KPN, Vodafone’s main rival, received a $280,000 penalty for blocking Internet calling services on some of its Wi-Fi hot spots.

“As a way to protect consumers, net neutrality has worked,” said Bart W. Schermer, a partner at Considerati, a Dutch technology consultancy. “More than anything else, it’s created a level playing field.”

Correction: March 2, 2015
An article on Friday about the effect of net neutrality rules in the Netherlands misstated the position of Martijn van Dam, who commented on the matter. He is the deputy leader in Parliament of the Dutch Labor Party, not the deputy leader of the party as a whole.

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"Recalibration of Free Choice"–  Mar 3, 2012 (Kryon Channelling by Lee Carroll) - (Subjects: (Old) Souls, Midpoint on 21-12-2012, Shift of Human Consciousness, Black & White vs. Color, 1 - Spirituality (Religions) shifting, Loose a Pope “soon”, 2 - Humans will change react to drama, 3 - Civilizations/Population on Earth,  4 - Alternate energy sources (Geothermal, Tidal (Paddle wheels), Wind), 5 – Financials Institutes/concepts will change (Integrity – Ethical) , 6 - News/Media/TV to change, 7 – Big Pharmaceutical company will collapse “soon”, (Keep people sick), (Integrity – Ethical)  8 – Wars will be over on Earth, Global Unity, … etc.) - (Text version)

“…5 - Integrity That May Surprise…

Have you seen innovation and invention in the past decade that required thinking out of the box of an old reality? Indeed, you have. I can't tell you what's coming, because you haven't thought of it yet! But the potentials of it are looming large. Let me give you an example, Let us say that 20 years ago, you predicted that there would be something called the Internet on a device you don't really have yet using technology that you can't imagine. You will have full libraries, buildings filled with books, in your hand - a worldwide encyclopedia of everything knowable, with the ability to look it up instantly! Not only that, but that look-up service isn't going to cost a penny! You can call friends and see them on a video screen, and it won't cost a penny! No matter how long you use this service and to what depth you use it, the service itself will be free.

Now, anyone listening to you back then would perhaps have said, "Even if we can believe the technological part, which we think is impossible, everything costs something. There has to be a charge for it! Otherwise, how would they stay in business?" The answer is this: With new invention comes new paradigms of business. You don't know what you don't know, so don't decide in advance what you think is coming based on an old energy world. ..."


The Internet  - The first Worldwide Tool of Unification ("The End of History")

" ... Now I give you something that few think about: What do you think the Internet is all about, historically? Citizens of all the countries on Earth can talk to one another without electronic borders. The young people of those nations can all see each other, talk to each other, and express opinions. No matter what the country does to suppress it, they're doing it anyway. They are putting together a network of consciousness, of oneness, a multicultural consciousness. It's here to stay. It's part of the new energy. The young people know it and are leading the way.... "

" ... I gave you a prophecy more than 10 years ago. I told you there would come a day when everyone could talk to everyone and, therefore, there could be no conspiracy. For conspiracy depends on separation and secrecy - something hiding in the dark that only a few know about. Seen the news lately? What is happening? Could it be that there is a new paradigm happening that seems to go against history?... " Read More …. "The End of History"- Nov 20,2010 (Kryon channelled by Lee Carroll)

Sunday, February 22, 2015

American TV Outlets Want Original, As Costs Skyrocket

Jakarta Globe – AFP, Feb 22, 2015

Cast members (left - right), British actor Liam Cunningham, British actress Maisie
 Williams and Dutch actress Carice van Houten attend the opening of an exhibition
 about the US fantasy television series 'Game of Thrones' at the Posthoornkerk in
 Amsterdam, Netherlands, 18 May 2013. The exhibition showing weapons, costumes
 and props from the TV series will be open to the public on 19 and 20 May as well as
from 25 to 27 May. (EPA Photp/Robert Vos)

New York. In the new age of American television, it pays to be original. But it also costs a bundle.

From Time Warner and its HBO unit to streaming video group Netflix and online giant Amazon, money is pouring in to produce new shows like “Game of Thrones,” “Transparent” and “Marco Polo.”

With TV viewing habits becoming fragmented as more people go online for new outlets, the pressure is on to attract audiences with fresh, original programs.

Netflix is planning to spend $3 billion on content this year as it pushes to grow globally, expanding its offerings after successes with the political drama “House of Cards” and comedy-drama “Orange is The New Black.”

Not to be outdone, Amazon has stepped up its original production efforts with the transgender series “Transparent,” winner of a Golden Globe, and others, with famed director Woody Allen hired by the online giant.

Amazon invested some $1.3 billion in television programming last year, according to founder Jeff Bezos.

”Working with Woody Allen is not cheap,” said James McQuivey, an analyst at Forrester Research who follows disruptive technologies.

McQuivey said more studios and outlets are bidding for these programs, pushing up costs.

”Suddenly, instead of only having four or five studios to sell your TV shows to, you now have 12 or 16, and some of them are very motivated because they’re looking for the next big hit,” he said.

According to Nielsen data compiled by the FX cable channel, there are 352 original scripted dramas and comedies produced for US cable, broadcast and online television this year.

The number of original cable programs has doubled in the past five years. For online, the sector has grown from non-existent to 24 original programs, the research showed. That includes new efforts from Internet players such as Yahoo, AOL and Hulu.

Traditional cable and broadcast operators are not sitting still. Time Warner spent $14.5 billion on HBO programming, production and marketing in 2014, and chief executive Jeff Bewkes sees that figure growing to $19 billion in the next few years.

Viacom — which owns Nickelodeon, MTV and Comedy Central — said programming costs were up 15 percent in the past quarter.

At 21st Century Fox, controlled by mogul Rupert Murdoch, investment is a priority as well, with the broadcast Fox network having rolled out new blockbusters like “Gotham” and “Empire.”

”The next year will be a period of investments with priority focused on building hit shows, not maximizing profits. The profits will follow,” said president and chief operating officer Chase Carey.

”Our competitors have already shown what difference a couple of hits can make.”

These TV operators are looking for the next hit in the manner of HBO’s “Sopranos,” or the AMC programs “Mad Men” and “Breaking Bad.”

James Murdoch, the co-chief operating officer at 21st Century Fox, said finding the next big success is not easy.

”There’s just an absolutely enormous amount of original production going on right now,” he said.

”The total volume isn’t really the question. The right question is what are you making? How do you make it great? How do you stand out? And can you be a place that can attract the great show runners, the great writers, the great talent to come and do incredible work?”

It’s not clear if the television companies can maintain the pace of investment, or whether consumers will turn away when faced with higher subscription costs.

McQuivey said there is now “an oversupply of funding” because the old model companies are still flush with cash from their more profitable years.

”That’s a very temporary phase,” he said, noting that companies will have to tighten up as profits are squeezed.

”You can no longer start 20 new series knowing that each of these series is going generate half as many viewers as they used to,” McQuivey added.

”For now, people are making their last bets because they know the time is coming when some of them are going to be gone. They don’t want to be the ones that don’t make it across that transition.”

Agence France-Presse
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"Recalibration of Free Choice"–  Mar 3, 2012 (Kryon Channelling by Lee Caroll) - (Subjects: (Old) Souls, Midpoint on 21-12-2012, Shift of Human Consciousness, Black & White vs. Color, 1 - Spirituality (Religions) shifting, Loose a Pope “soon”, 2 - Humans will change react to drama, 3 - Civilizations/Population on Earth,  4 - Alternate energy sources (Geothermal, Tidal (Paddle wheels), Wind), 5 – Financials Institutes/concepts will change (Integrity – Ethical) , 6 - News/Media/TV to change, 7 – Big Pharmaceutical company will collapse “soon”, (Keep people sick), (Integrity – Ethical)  8 – Wars will be over on Earth, Global Unity, … etc.) - (Text version)

“…6 - The News

Number six. I'll be brief. Watch for your news to change. It has to. When the media realizes that Human Beings are changing their watching habits, they're going to start changing what they produce for you to watch. Eventually, there's going to be something called "The Good News Channel," and it will be very attractive indeed. For it will be real and offset the drama of what is today's attraction. This is what families at night, sitting around the table, will wish to watch. They'll have something where the whole picture of a situation is shown and not just the dramatic parts. You will hear about what's happening on the planet that no one is telling you now, and when that occurs [we have no clock, dear one], it's going to compete strongly with the drama. I keep telling you this. Human nature itself is starting to be in color instead of black and white. Watch for it. And that was number six ….”